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L'Art Museum Foundation Rinaldi-Paladino ha acquisito il dipinto "Strane percezioni" - Olio e caffè su tela, cm 70 x 50, (2008) - RINALDI--PALADINO ART MUSEUM FOUNDATION, presso Banca del Gottardo (Lugano - Svizzera); RINALDI--PALADINO ART MUSEUM FOUNDATION, Bank of Gottardo (Lugano - Switzerland) - Permanent collection - Title "Strane percezioni" -- Oil and coffee on canvas, cm 70 x 50, (2008); MUSEO DI ARTE CONTEMPORANEA ITALIANA IN AMERICA (San Josè -- Costa Rica) - Collezione Permanente del dipinto "Giochi d'infanzia" - Olio e karkadè su tela, cm 60 x 40, (2008); MUSEUM OF ITALIAN CONTEMPORARY ART IN AMERICA (San Josè - Costa Rica) - PERMANENT COLLECTION - Title "Giochi d'infanzia" - Oil and karkadè on canvas, cm 60 x 40, (2008); PINACOTECA AMEDEO MODIGLIANI (Follonica -- Italia) -- Acquisizione nella Collezione Permanente del dipinto "Il ciclo della vita" -- Tecnica mista su legno, cm 65 x 100, (2005); MUSEUM AMEDEO MODIGLIANI (Follonica -- Italy) - PERMANENT COLLECTION - Title "Il ciclo della vita" - Ropes, plastics, wood, temper and acrylic on wood, cm 65 x 100, (2005); Ambasciata d'Italia in Nuova Zelanda per il costituendo MUSEO DI ARTE CONTEMPORANEA ITALIANA a cura di S.E. l'Ambasciatore Carlo Gioacchino Trizzino (Wellington - Nuova Zelanda) - Acquisizione del dipinto "Le due anime" -- Olio e cacao e karkadè su tela, cm 50 x 50, (2008); Italian Embassy in New Zeland acquired the Benetti's art work titled "Le due anime". This art work will take part to the basing nucleous of coming MUSEUM of ITALIAN CONTEMPORARY ART , situated in Wellington - Oil and cacao and karkadè on canvas, cm 50 x 50, (2008); AMBASCIATA D'ITALIA IN CINA (Pechino) -- Acquisizione per la Collezione Privata del dipinto "L'alba di Pechino" -- Olio su tela, cm 20 x 30, (2008); ITALIAN EMBASSY IN CHINA (Beijing) - PRIVATE COLLECTION - Title "L'ALBA DI PECHINO" - Oil on canvas, cm 20 x 30, (2008); PINACOTECA SILVESTRO LEGA (Modigliana - Italia) - Acquisizione nella Collezione Permanente del dipinto "Il bimbo e la lucertola" -- Olio e caffè e acrilico su tela, cm 30 x 20, (2007); MUSEUM SILVESTRO LEGA (Modigliana - Italy) - PERMANENT COLLECTION - Title "IL BIMBO E LA LUCERTOLA" - Oil and coffee and acrylic on canvas, cm 30 x 20, (2007); MUSEO DI ARTE CONTEMPORANEA - FONDAZIONE NAZIONALE LOGUDORO MEILOGU (Banari -- Sassari) - Acquisizione del dipinto "La porta del Paradiso" -- Olio e caffè su tela, cm 50 x 50, (2008); MUSEUM OF CONTEMPORARY ART - NATIONAL FOUNDATION LOGUDORO MEILOGU - (Banari - Sassari) - Permanent collection - Title "La porta del Paradiso" - Oil and coffee on canvas, cm 50 x 50, (2008); COLLEZIONE FACCHINI -- LA FENICE ET DES ARTISTES -- (Venezia -- Italia) Acquisizione del dipinto "Tesi opposte" -- Olio e caffè su tela, cm 40 x 40, (2008); FACCHINI COLLECTION - LA FENICE ET DES ARTISTES -- (Venice -- Italy) Permanent collection - Title "Tesi opposte" -- Oil and coffee on canvas, cm 40 x 40, (2008); Attualmente sono in corso altre acquisizioni nelle collezioni permanenti di vari musei nel mondo. Currently other acquisitions are in progress in the permanent collections of various museums in the world. NOTE CRITICHE ANDREA BENETTI: UNA PERLA RARA Nell'alba della vita, quell'uomo impaurito ed affamato, tracciava segni sulla parete rocciosa e quei segni erano la vita o la morte, in una danza lugubre per la sopravvivenza. Se questo è vero, quell'uomo primordiale, coperto solo da una pelle animale, si confrontava con la creazione in una preghiera ancestrale e sublime. Tutto ciò è nel profondo del nostro sentire; il segno, il sogno, la preghiera ad un Dio, la fame e la paura. Vedo tutto ciò nei quadri di Andrea Benetti, il senso primordiale della creazione, il ritmo del segno, la fatica del quotidiano, la voglia d'aria pulita. E' raro ritrovare, oggi, un artista che abbia tale profondità interiore; Andrea Benetti è una perla rara che lotta la sua avventura giorno dopo giorno, di fronte al pathos della tela bianca, quella tela bianca che è l'oggi di quella parete rocciosa, è cambiato il supporto, ma la vita, la morte e la danza lugubre per la sopravvivenza, per fortuna, sono rimaste intatte. GREGORIO ROSSI CURATORE DEL MUSEO DI ARTE CONTEMPORANEA ITALIANA IN AMERICA Andrea Benetti Via Zanardi, 56/4 40131 - Bologna - Italy Tel. +393389290128 info@andreabenetti.com http://www.andreabenetti.com

SEPTEMBER 11th There have been, as there should be, many commemorations of the tragic events of September 11th, 2001. Each of us, Americans and citizens of every other country, has strong emotions tied to that day: the sheer horror of the pictures burned into our memories; the frustration, depression and anger engendered by senseless, inhuman violence; the urge to understand what it meant, what it means, and how that understanding should guide our actions as individuals and as nations. In hosting this commemorative art exhibit at the Johns Hopkins Bologna Center, our aims are modest but we hope meaningful. Andrea Benettis and Lanfranco Di Ricos delicate and thoughtful evocation provides us a visual interpretation that we hope can take the viewer beyond the starker images of that day while still providing a link for our own memories and a stimulus to our own interpretation of that world-changing event we will forever call 9-11. The Bologna Center is grateful to the artists for giving us the opportunity to serve as a venue for a public showing of their original works, and to the Associazione-Italo Americana Luciano Finelli for organizing the display and the activities around it. Kenneth H. Keller Director Johns Hopkins University Bologna Center ooooooooooooooooooooo Art and Peace: a single message of love The works created by Andrea Benetti and Lanfranco Di Rico to commemorate the victims of September 11th 2001 and to give a sign of solidarity to the people of United States, unleash intense feelings of suffering and anguish; but at the same time they demonstrate hope and with a shout they invoke peace, placing it above all else as a life priority. Peace is the manifesto of Andrea Benettis art, because he promotes at every occasion and he places it at the foundation of his artistic expression; no one better than Lanfranco Di Rico could have joined up with Benetti to assemble this complex work, because Di Ricos theological training (he is laureate in theology at the Sacra Universita Pontificia of the Vatican) has prepared him to place peace and a love for his neighbor above all else. Besides the notable creative content offered by these works, the technique used is excellent, expressed through painting, incision and material manipulation. It is a perfect meeting of the two artists who each managed their own artistic ambits (Benetti painting, Di Rico sculpture); forms and colors that intertwine masterfully in this exhibit. So appreciation for these works runs along multiple paths that go from the message that inspired them, to the excellent creation of the works; to the technique and choice of color, to the creative integration that the two artists have achieved, melding their knowledge and skills into the works of art they present in this show. I remember something Benetti said that I found remarkable for its simplicity and strength. He said it when he first presented this exhibit at the Peoples Museum of Abruzzo in Pescara: I feel that art must always offer an answer that contrasts violence and hatred; certainly not the only answer, but arts answer must exist, strong and firm, as witness to the love that it has for life, always firm in refusing and denouncing every action of injustice, cruelty and death and to announce a message of life and peace. Gregorio Rossi Curator Museum of Contemporary Italian Art in America ooooooooooooo ANDREA BENETTI Via F. Zanardi, 56/4 40131 - Bologna Tel. +393389290128 info@andreabenetti.com http://www.andreabenetti.com

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